For The Drums’ Body Chemistry we created a modular installation built from analog effects, distorted projections, digital cutouts, and unstable reflections. Shot over three weeks and constructed from dozens of microscenes and visual patterns, the work channels the inner tempo of the track: its disorientation, repetition, and flashes of clarity. We approached it like an experiment in rhythm and identity, using body fragments, flickering frames, and material glitches as architecture for emotion.

Seven static takes became a base. Everything else was transformation. Texture became narrative. Speed became structure. Emotion – a waveform in motion.